Bead Dictionary Letter I

Introduction

In the late 1990s, Penny Diamanti, Joyce Diamanti and Robert K. Liu started working on a Bead Dictionary. Around 2009, after much work by the Diamantis, the Bead Dictionary was posted on the Beadazzled website. Through the years, additions were made by Beadazzled. In the summer of 2018, when the Washington DC Beadazzled store and its website closed, the Bead Dictionary was offered to Ornament. This is a unique resource, especially rich for information on beads of ethnographic and ancient origins. As Ornament has only a staff of three, we are slowly reposting it on our website, updating or expanding some of the entries and are adding search features, links and references as time permits. The Bead Dictionary covers primarily beads and other perforated ornaments, but also tools and materials used by those who make jewelry utilizing beads. Photographs from the Ornament archives are being added, as well as new images taken expressly for the Bead Dictionary and others are being brought up to current standards, as many of these images are almost 30 years old. Original photography was by Robert K. Liu, while Cas Webber did additional photos for Beadazzled, noted in the captions as RKL or CW, after first captions.

This Dictionary of Beads is a labor of love and a work in progress. We welcome your comments and suggestions through the Contact link. To navigate, select from the visual index above to jump to the letter you want in the Dictionary, but give the page a little time to load first. To get back to the top and select another letter use the arrow button. We are continuously adding to the Dictionary, so check back often. 

To search for keywords in Dictionary headings, use your browser's search function; for example in Internet Explorer use Control+F and in Apple Command+F, then type in your keyword. We hope you enjoy this (not-so-tiny) treasure, and learn more about the vast world of Beads.


Idar-Oberstein

An array of classic Idar-Oberstein carnelian and agate beads. Robert K. Liu

Cornerless cube from Idar-Oberstein traded to Africa. Robert K. Liu

Information to come...

10/27/2009 : 10/27/2009 modified


Imitation Leather

Imitation leather cording for beadstringing. Cas Webber

Imitation leather cord is available in a variety of different brands for those who don’t want to use genuine leather.

Genya is rubber-coated nylon that has the look and feel of real leather, but at a lower cost. It has high tensile strength and does not fade.

P’Leather® is manufactured from specially blended polymers to look and feel like leather. Unlike real leather, however, P’Leather will not crack, weather, or smell. P’Leather cord can be crimped with standard findings for joining cord, without breaking or tearing.

9/27/2009 : 9/27/2009 modified

P’leather brand imitation leather for bead stringing. Cas Webber


Imitation Sinew

This waxed polyester cord comes in light beige, brown, black and sometimes, other colors. One of the few beading cords available in the early 1970s, it worked well enough for large-holed African trade beads and chunky clay beads. Today the much more durable cable wire takes its place for most heavy necklaces. This cord’s drawbacks include low resistance to fraying, tendency to stretch and sometimes, excessive wax but it remains popular for some traditional Native American designs and among “mountain men” creating authentic costumes. Imitation sinew can be split or doubled to get different diameter cords.

9/27/2009 : 9/27/2009 modified


Imitations

Information to come...

10/27/2009 : 10/27/2009 modified

See Also: Replicas of Ancient Stone Beads From The Middle East Simulations and Copies Talhakimt Reproductions Warring States Beads—Glass Imitations


Impressing

03/02/2010 : modified

See: Stamping


Indian Glass Beads

Indian reproductions of famous Venetian trade beads. Robert K. Liu

Indian lustered beads. Robert K. Liu

Indian chevron beads. Robert K. Liu

Information to come...

9/27/2009 : 9/27/2009 modified

See Also: Luster Finish Lampworked Beads Mosaic Beads


Indian Organic Beads

Indian black and golden horn beads. Robert K. Liu

Information to come...

10/27/2009 : 10/27/2009 modified

See Also: Horn Beads Bone Beads


Indian Silver Beads

Indian silver beads with gold wash. Robert K. Liu

Information to come...

9/27/2009 : 9/27/2009 modified

Indian sterling silver beads. Robert K. Liu


Indo-Pacific Beads

Indo-Pacific beads in assorted colors. Robert K. Liu

Information to come...

9/27/2009 : 9/27/2009 modified

Strand of Indo-Pacific beads from the African trade mixed with red jasper and green heart beads. Robert K. Liu


Indonesian Lampworked Beads

Indonesian lampworked beads. Robert K. Liu

Contemporary Indonesian lampworked glass beads. Robert K. Liu

Indonesia boasts an ancient tradition of glass beadmaking and trading. The story is a complicated one with ancient imports of glass beads from China, the Muslim world and even Europe showing up in Indonesian excavations. In addition, local beadmaking industries flourished to feed the twin demands of beads for local use and for export. See East Javanese Beads.

During the 1970s ancient Indonesian beads began appearing in local markets, especially in Java, and were eagerly bought by foreign collectors. To the distress of local and international archeologists, sites were being looted to supply these beads. As supplies diminished and prices rose a new industry of contemporary Indonesian glass beads emerged to fill the void. Bali and Java seem to be the main sources of many of the new lampworked glass beads like those shown here, which began appearing in the early 1980’s.

According to Adhyatman and Arifin, the authors of Manik-Manik, contemporary beadmaking started in Solo, Central Java around 1970 when a glassworker from Pakistan who made lamps, necklaces and glass inserts for rings taught a few local apprentices. The craft spread to Plumbon Gambang and Jombang in East Java where the art of copying Indian replicas of European trade beads evolved into a cottage industry for Indonesian lampworked beads. These include reproductions of ancient Indonesian round and melon beads as well as new designs incorporating trailed, combed, feathered, flush and raised dot patterns, as well as crumb designs in a variety of shapes and sizes. New designs tend to feature a glossy surface while those meant to resemble the older beads are etched or abraded to create a more or less matte finish.

Replicas of ancient Jatim and other East Javanese Beads, can be distinguished from the originals by their brighter colors, roughly sandblasted surfaces, and larger perforations—sometimes with bead release still clinging to the inside. Copies of ancient Bird Beads appeared in Java in 1991 where new beadmakers also embraced lapidary techniques to reproduce ancient rock crystal beads in recycled glass.

9/27/2009 : 2010-09-15 modified

See Also: Feathering Melon Beads Crumb Beads Bird Beads


Indonesian Metal

Complex Indonesian cube beads. Robert K. Liu

Information to come...

9/27/2009 : 9/27/2009 modified

Indonesian high karat gold beads. Robert K. Liu


Indonesian Recycled Glass Beads

Collection of Indonesian lapidary worked beads showing the range of shapes and colors in recycled glass beads made from bottle glass, architectural glass and possibly TV screens. Robert K. Liu

Collection of Indonesian lapidary worked beads showing the range of shapes and colors in recycled glass beads made from bottle glass, architectural glass and possibly TV screens. Robert K. Liu

Lapidary (stoneworking) techniques have a long history in Indonesia. Stone beads dating from Neolithic times (2500-1000 BC) have been found near Solo, Central Java and the tradition continues. Sandstone and jasper beads were popular in the 1980s but more recently lapidary techniques have been applied to glass. The process seems to have begun with grinding to modify the shape of some ancient glass beads.

Recycling glass beads in Indonesia also started with ancient beads. Some less desirable older beads were melted down to make new beads, some broken beads were combined with each other, plain ancient beads were decorated with melted down Japanese seed beads etc.

As local Javanese legend has it, the business of recycled glass really got going when the local Coca Cola factory switched from bottles to cans. Suddenly an immense quantity of glass, that had formerly been reused, was available and it was just the right color to copy some ancient faceted crystal beads. Lapidary skills of cutting, grinding and perforating slabs of stone were applied to slabs of glass to make heavy bicones with typically five to six facets on each side. As these beads gained popularity in the US the range of sizes and shapes expanded greatly. Colors also became more diverse with reports of green being from wine bottles, amber from beer bottles, pale blue-gray from television screens, and seafoam green and clear being from the Coke bottles and architectural glass.

The beads are drilled from both ends as if they were stone, hand faceted and polished to a matte or shiny finish. The beads shown range in size from about 15 to 30mm in length.

9/27/2009 : 2009-11-11 modified


Inlaid Beads

Nepalese beads: silver and lac base with turquoise inlay. Robert K. Liu

Information to come...

10/27/2009 : 10/27/2009 modified

See Also: Inlaid Beads—Wood


Inlaid Beads—Wood

Contemporary Egyptian wood bicone bead inlaid with mother-of-pearl and wood (4.5cm long). Robert K. Liu

Inlaid wood beads are uncommon. Simple wood beads were once often used in rosaries, and today they are still produced in Germany, the Philippines, and other countries. Inlaid wood beads, however, are rare because they are so labor intensive. This elaborate wood bead from Cairo, which is inlaid with wood and mother-of-pearl, was purchased in the late 1970s. The same technique has long been employed to make boxes and furniture in Lebanon and Syria as well as in Egypt.

9/27/2009 : 9/27/2009 modified

 

Ebony beads inlaid with silver from the Arabian Peninsula. Robert K. Liu

Contemporary inlaid wood beads. Robert K. Liu


Inside Painted Beads

Chinese glass beads painted inside. Robert K. Liu

Information to come...

9/27/2009 : 9/27/2009 modified


Intaglio

03/02/2010 : modified

See: Stamping


Interpretations of Beads

Artists’ interpretations of beads are not designed to deceive. They often originate as a creative response to the beauty of the original beads, for examples Kiffa beads or Chinese Warring States eye beads or as an exploration of techniques used to in the originals. For example, Tom Holland demonstrated that horned eye beads could be made without preformed components while Jamey Allen explored how how folded glass beads were made by using Fimo. So many Fimo artists experimented with mosaic cane techniques that even most school children can now understand how Venetian glass mosaic trade beads were made.

10/27/2009 : 10/27/2009 modified

See Also: Fakes Replicas and Reproductions Simulations and Copies Holland, Tom Hughes, Tory Dustin, Kathleen


Iolite

Strand of faceted iolite rondels. Cas Webber

The name iolite comes from the stone’s violet color. You may sometimes hear this stone referred to as water sapphire. The most important iolite deposits occur in Brazil, Madagascar, Burma, India and Sri Lanka.

Iolite works for people embarking on an inner journey. Emotionally, iolite releases discord within relationships and helps to overcome codependency. Iolite also aids in understanding and letting go of the causes of addictions.

9/27/2009 : 2010-02-03 modified


Irian Jaya Melon Beads

Yellow melon bead from Indonesia. Robert K. Liu

Information to come...

9/27/2009 : 9/27/2009 modified


Iridescent

Information to come...

10/27/2009 : 10/27/2009 modified


Iris Finish

Czech glass firepolished beads with iris finish. Cas Webber

Iris finish is often applied to beads to give them an iridescent “oil-slick” appearance. Opaque glass (usually black) beads are coated with a lacquer containing metal particles, which is then burned off. There are only five true iris colors: purple, blue, green, brown and gold, the latter being less common and more expensive. Iris finish is completely durable under normal circumstances.

9/27/2009 : 9/27/2009 modified

See Also: AB Finish Luster Finish

Czech firepolish beads with iris finish. Cas Webber


Islamic Glass

Red and black ancient Islamic glass bead. Robert K. Liu

Information to come...

9/27/2009 : 9/27/2009 modified

Ancient Islamic folded glass bead. Robert K. Liu