Chunghie Lee 38.5 Article
Glen R. Brown writes about Chunghie Lee’s adaptation of traditional Korean patchwork cloth or bojagi into dynamic clothing and adornment. Made in the past by nameless Korean women, recycling squares of fabric into wrappings, she honors their sense of design and color with her wearable art, which move with graceful motion when worn, yet function as sculpture when hung.
Glen R. Brown writes about Chunghie Lee’s adaptation of traditional Korean patchwork cloth or bojagi into dynamic clothing and adornment. Made in the past by nameless Korean women, recycling squares of fabric into wrappings, she honors their sense of design and color with her wearable art, which move with graceful motion when worn, yet function as sculpture when hung.
Glen R. Brown writes about Chunghie Lee’s adaptation of traditional Korean patchwork cloth or bojagi into dynamic clothing and adornment. Made in the past by nameless Korean women, recycling squares of fabric into wrappings, she honors their sense of design and color with her wearable art, which move with graceful motion when worn, yet function as sculpture when hung.