Counter Couture 39.5 Article
It was bound to come around; fifty years later is about the right time for museums to gather their curatorial muscle for reviewing, gathering, documenting, and committing to an exhibition that has now achieved some distance, to allow for some semblance of an objective, informed presentation. Sometimes they are wonderfully subjective thematically, which can make for engaging, fascinating exhibitions. That time has come for America’s personal counterculture, ranging from the 1960s to 1970s. Initially organized by Washington state’s Bellevue Arts Museum, “Counter-Couture: Handmade Fashion in an American Counterculture” showed through August 20, 2017, at the Museum of Arts and Design (MAD) in New York City.
It was bound to come around; fifty years later is about the right time for museums to gather their curatorial muscle for reviewing, gathering, documenting, and committing to an exhibition that has now achieved some distance, to allow for some semblance of an objective, informed presentation. Sometimes they are wonderfully subjective thematically, which can make for engaging, fascinating exhibitions. That time has come for America’s personal counterculture, ranging from the 1960s to 1970s. Initially organized by Washington state’s Bellevue Arts Museum, “Counter-Couture: Handmade Fashion in an American Counterculture” showed through August 20, 2017, at the Museum of Arts and Design (MAD) in New York City.
It was bound to come around; fifty years later is about the right time for museums to gather their curatorial muscle for reviewing, gathering, documenting, and committing to an exhibition that has now achieved some distance, to allow for some semblance of an objective, informed presentation. Sometimes they are wonderfully subjective thematically, which can make for engaging, fascinating exhibitions. That time has come for America’s personal counterculture, ranging from the 1960s to 1970s. Initially organized by Washington state’s Bellevue Arts Museum, “Counter-Couture: Handmade Fashion in an American Counterculture” showed through August 20, 2017, at the Museum of Arts and Design (MAD) in New York City.