Keri Ataumbi 40.1 Article
Carl Little chronicles Keri Ataumbi who started as a painter, then went into jewelry in her late twenties. While of Kiowa heritage, her jewelry, often animal themed, does not announce as Native American, but they speak with loving concern and poignancy of her life, family and heritage. Her collaborations with other artists result in an exciting body of work that is diverse, intriguing and contemplative.
Carl Little chronicles Keri Ataumbi who started as a painter, then went into jewelry in her late twenties. While of Kiowa heritage, her jewelry, often animal themed, does not announce as Native American, but they speak with loving concern and poignancy of her life, family and heritage. Her collaborations with other artists result in an exciting body of work that is diverse, intriguing and contemplative.
Carl Little chronicles Keri Ataumbi who started as a painter, then went into jewelry in her late twenties. While of Kiowa heritage, her jewelry, often animal themed, does not announce as Native American, but they speak with loving concern and poignancy of her life, family and heritage. Her collaborations with other artists result in an exciting body of work that is diverse, intriguing and contemplative.